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In Indian cinema, an item number or special song is a musical number inserted into a film that may or may not have any relevance to the plot. The term is commonly used within Indian films (Bengali, , , , , and cinema) to describe a catchy, upbeat, often provocative dance sequence performed in a movie. Journals : Item number defined These sequences predominantly feature glamorous female performers, commonly referred to as item girls, whose appearance, movements, and attire are designed to attract visual attention and heighten the sensual appeal of the film. Such item numbers are strongly associated with the objectification of women on screen, where the female body becomes the central spectacle rather than the narrative itself. The main aim of an item number is to entertain movie-goers and to lend support to the of the film by being featured in . They are favoured by filmmakers as they afford the opportunity to pick potential hit songs from the stocks, since they do not add to the continuity of the plot. It is thus a vehicle for commercial success that ensures repeat viewing.

(2025). 9781843318330, Anthem Press.

A distinctive feature of the item number is its construction around the visual and sensual appeal of its lead performer. An actress, singer, or dancer—especially someone poised to become a —who appears in an item number is popularly referred to as an item girl. While male performers known as item boys occasionally feature in such sequences, the phenomenon remains overwhelmingly associated with women, who are far more frequently cast in these roles.

In colloquial slang used in , the term item itself often implies a "sexy woman", reinforcing the view that the female body is the intended spectacle in these numbers, complemented by racy visuals and suggestive lyrics.


History

1930s1970s
Up to the 1970s, Hindi cinema often relied on a female "vamp" character – usually playing the role of a dancer, /prostitute/, or male gangster's moll – to provide musical entertainment deemed more risqué. While film heroines also sang and danced, it was the vamp who wore more revealing clothes, smoked, drank, and sang sexually suggestive lyrics.
(2025). 9789042019270, Rodopi. .
The vamp was portrayed as immodest rather than evil, and her dance performances were sexualized by male producers. The trend was started by in films like (1951), (1952) and Shabistan (1951).

Item numbers had been featured in Bollywood from as early as the 1930s. in the 1930s often performed item numbers; was the next popular item dancer in the late 40s. Her banner year was 1949 when she was featured in over 17 films performing dances. Actress and classical dancer was the one that introduced the classical dance number in Hindi films with her debut film Bahar (1951). The mixture of classical plus contemporary was popularized by Vyjayanthimala in films such as Devdas (1955), Amrapali (1966), (1958), Sadhna (1958), (1968) etc.

In the early 50s, introduced the Anglo-Burmese Helen as a chorus girl. In time Helen would come to be the most popular vamp of the late-50s, 60s and 70s,

(2025). 9780814747995, NYU Press.
having had performed in scores of item numbers including such popular songs as "Mera Naam Chin Chin Choo" from the film Howrah Bridge (1958), "Piya Tu Ab To Aaja" from Caravan (1971), "Mehbooba Mehbooba" from (1975) and "Yeh Mera Dil" from Don (1978) (the song's tune was used in Don't Phunk with My Heart), "O Haseena Zulfon Wali" from and "Aa Jaane Jaan" from . In films like and Zindagi the actress performed semi-classical Indian dances in songs like "Tora man bada paapi" and "Ghungarwa mora chham chham baaje". A bar number, "Mungda" from Inkaar was also immensely popular. In addition to her skillful dancing, her anglicised looks too helped further the vamp image. Helen's dominance pushed other vying item number dancers like Madhumati, , , Jeevankala, , Sheela R. and Sujata Bakshi into the background and less prestigious and low budget .

In the early part of the 1970s, actresses Jayshree T., Bindu, and entered into what was Helen's monopoly. Another noted feature of this era was the "tribal and banjara" item numbers such as the one in Shalimar. Such songs provided the necessary settings for the lead couple's love to bloom.

(2025). 9788190891820, Primus Books.


1980s1990s
was part of several successful Item in the 1980s Indian films. Around the 1980s the vamp and the heroine merged into one figure and the lead actress had begun to perform the bolder numbers. The craze for "tribal and banjara" item numbers were soon gave way to slick choreography. In the late 1990s, with the proliferation of film songs based television shows, film producers had come to realise that an exceptional way to entice audiences into theaters was by spending excessively on the visualization of songs. Hence regardless of the theme and plot, an elaborate song and dance routine involving spectacularly lavish sets, costumes, special effects, extras and dancers would invariably be featured in a film. It was asserted that this contributed highly to the film's "repeat value".
(2025). 9780415288538, Routledge. .

is often considered to be the pioneer of the modern trend. In the late 1980s, the song "Ek Do Teen" was added to the movie as an afterthought, but it transformed Dixit and made her a superstar. Her partnership with choreographer has resulted in numerous hits including the controversial "Choli Ke Peeche Kya hai" and "Dhak Dhak Karne Laga" ( Beta). Soon after the release of the film , there were press reports stating that people were seeing the film again and again but only for the song "Choli Ke Peeche Kya Hai" that featured Dixit.

Although there have been many songs that fit the descriptions of item numbers in the early and mid-1990s, the term itself was coined when danced for "Main Aai Hoon UP Bihar Lootne" in the movie . This is perhaps the first time the media actually referred to Shetty as an "item girl" and the scene as an "item number". In 1998 featured in the song "Chamma Chamma" in the 1998 film China Gate.


2000s
Abhishek Bachchan became the first "item boy" with his performance in . Shah Rukh Khan performed an item number of sorts during the opening credits of Kaal but later had an item number in a truer sense of the word with "Dard-e-disco" in Om Shanti Om, where he was shot in a more typical "item girl" manner, with Khan wearing minimal clothing (though this number did have a connection, albeit tenuous, with the plot of the film). In Krazzy 4, has an item number during the end credits. made his debut in an item number in (2011), drawing inspiration from his father Rishi Kapoor's song "Parda Hai Parda" from Amar Akbar Anthony. In 2005 and 2006 actress gave blockbuster hit numbers like "No Entry" and "Beedi Jalaile".

After Bachchan, the "item boy" trend was reused by Dev in Bengali cinema, who did a cameo with the song "Pante Taali" in the film Chirodini...Tumi Je Amar (2008). He also established his image of a "dancing star" with popular dance numbers - "Bhojo Gourango" in Challenge (2009), "Le Paglu Dance" in Bolo Na Tumi Aamar (2009), "Pyarelal" in Dui Prithibi (2010), "Khokababu Jay" in Shedin Dekha Hoyechilo (2010), "Lady Killer Romeo" in Romeo (2011), "Dance Maare Khokababu" in (2012), "Party Shoes" in Bindaas (2014), "Desi Chhori" in (2014) and "Dhitang Dhitang" in Love Express (2016).

In 2005, Aishwarya Rai Bachchan was featured in "" from the movie, Bunty Aur Babli. In 2006, was featured in "Ippatikinka" from a Telugu film, , sung by . Plus, the remake did the same to 2007 Tamil film, in "En Chella Peru Apple". In the 2007 , the song "Attaantode Ittaantode" featuring and Rambha became a chartbuster. In the 2007 film Om Shanti Om, the song "Deewangi Deewangi" had guest appearances by over 30 Bollywood stars. In 2008, the makers of Rab Ne Bana Di Jodi featured , , , , and playing five leading ladies opposite Shahrukh Khan in the song "Phir Milenge Chalte Chalte". In 2007, performed an item number "Mehbooba O Mehbooba" in Aap Ka Suroor - The Real Love Story.


2010s
In 2010, featured in "Sheila Ki Jawani" from Tees Maar Khan, and featured in "Munni Badnaam Hui" from . Parallels were drawn between Katrina and Malaika, as well as between the item numbers, in what was popularly known as the "Munni vs Sheila" debate. The songs became so popular, that, soon, more films began incorporating item numbers, and with more top stars now wanting to do them.

In 2012, again featured in an item number "" in Agneepath, sung by which became a huge hit, while Kareena Kapoor was featured in "Fevicol Se" in Dabangg 2, sung by the same artist from "Munni Badnam Hui". In 2013, had some success item dancing, performing songs like "Party On My Mind" and "Lovely". did many songs such as " ", "Pinky", and an appearance in Sanjay Leela Bhansali's Goliyon Ki Raasleela Ram-Leela song "Ram Chahe Leela", of which became a blockbuster upon release. , , and Jacqueline Fernandez made their debut with "Don't Touch My Body", "Govinda Govinda" and "Jadu Ki Jappi" respectively.

actress performed her first item dance with " Laila" from the 2013 film "Shootout at Wadala", followed up with Baby Doll from Ragini MMS 2. In 2017, Sunny Leone featured in the hit item number "Laila Main Laila" starring Shah Rukh Khan in the film Raees. It is a recreation of the song "Laila O Laila" from the 1980 film Qurbani, which featured actress with Feroz Khan in the original musical number. In 2017, actress featured in the item number "Sarkar" sung by Rani Hazarika from the movie .

In 2018, featured in the hit item number "" from the film . The song was trending on . Jacqueline Fernandez featured in the remake of the "Ek Do Teen" song that originally featured Madhuri Dixit. Moroccan-Canadian dancer-actress also featured in the item song "Dilbar" which has become one of the most popular videos of all time. It is a recreation of an item number of the same name from (1999), which was composed by Nadeem–Shravan and featured as an item girl. The re-created version by features Middle-Eastern musical sounds. In the music video, Nora Fatehi performs , an style that was previously featured in a number of popular Bollywood item numbers, performed by actresses such as Helen in "Mehbooba O Mehbooba" from (1975), in "Raqqasa Mera Naam" from The Great Gambler (1979), in "Mayya Mayya" from Guru (2007), and in "Aga Bai" from (2012). The international success of "Dilbar" inspired an -language version, also featuring Nora Fatehi. "Dilbar" is popular across Southern Asia and the , with all versions of the song having received more than 1billion views on YouTube. From then on, Nora Fatehi became associated with performing item numbers that featured belly dancing. TV and Bollywood Actress made her debut by "Nachna Aunda Nahi". The "Gali Gali" track from the Kannada film , sung by , which featured Mouni Roy also, was a huge hit. also made an appearance in "The Hookup Song" from Student of The Year 2 (2019).


2020s
In the 2020s, the item songs moved away from the suggestiveness and risque visuals to a more musical and dance-filled approach, while still wearing similar belly-dance clothes. In 2021, the popular "Oo Antava Oo Oo Antava" track sung by Indravathi Chauhan from the language film featuring Samantha was released. Nushrratt Bharuccha too featured in an item number song from the film . In 2021, performed her first item number in the song "Nadiyon Paar" from the film Roohi. delivered an Arabic belly dance in blockbuster song "" from Beast. In 2023, featured in an item number "Raawadi" from the Tamil film . In this era, became the most popular item girl in the film industry, featuring in songs like "" from Jailer alongside and "Aaj Ki Raat" from Stree 2. In 2024, Actress performed her first item number in the song "Taras" from Munjya.


Impact
On 21 July 2005, Indian parliament passed a bill to ban in . Criticizing the bill and supporting the dancers, said that bar dancing cannot be termed as vulgar, what they are doing is an imitation of what item girls are doing in films, they work there out of their own choice.

As one writer put it, "On paper, item numbers form the perfect formula for female sexual empowerment. In reality, they mostly result in the most blatant objectification. Camera angles zoom in over gyrating hips and linger over bare waists as blatantly as the eyes of the ogling men with no subtlety. The gaze in these dance numbers presents itself as vaguely voyeuristic, at best. There is a very deliberate implication present; that the item girl is not only inviting the leers and jeers, but she is also enjoying them."

In 2013, the Central Board of Film Certification issued a resolution declaring that item songs will now be rated as adult content and will not be allowed to be shown on television channels.


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